Thursday, September 16, 2010

listen

1. Kevin Heider singing a cool song called "Samuel's Calling."


3. I love this song and this video: "Image of the Invisible" by Thrice.




Remixing is a folk art but the techniques involved — collecting material, combining it, transforming it — are the same ones used at any level of creation. You could even say that everything is a remix.
8. An early review of Underoath's forthcoming album, Ø (Disambiguation). I'm really interested to see what these guys do without the singing and drumming of Aaron Gillespie.

I remember a long time ago discussing with a mate how driving a car very fast wasn't really that impressive. He said, "It's not like The Flintstones, where you've got your feet through the floor powering it yourself". In a way, making "huge sounding" music can be the same. It can be a triumph of machinery, when all the driver is doing is pressing his foot on a pedal.

Here and now, "big sounding" is some distance away, as the band are pretty much as close to silence as it's possible to get whilst still playing music. As a result, it's less like watching a racing driver and more like witnessing a high wire act. All poise, balance and the ever-present possibility that it could all go south at any moment.

Everyone in the room is still. I click the mouse button on my laptop and receive a disapproving raising of eyebrows from co-producer Rik Simpson. It becomes one of those moments where you're a little afraid to exhale in case it bursts the bubble or breaks the spell.

Our first week back continues in exactly this vein. "The plan" becomes a pinball, bouncing off different points of enthusiasm at alarmingly regular intervals. In all honesty, it would be pointless me trying to explain where we're going right now. By the time we're halfway there, we'll be going somewhere else.

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